New York City

All Hail the Storm King

img_20160914_180955254_hdrThere’s something monstrous and all-encompassing about New York City, as though the longer you’re there, your memory of the way the world works elsewhere is slowly cached until it fades into oblivion. Everywhere about the City, nature prevails. The pigeons come close and tilt their heads to look at you as though you’re the one that doesn’t belong amid this concrete, not them. The mice and chipmunks and squirrels are perfectly content to live among the steel-and-glass ignoring you, mostly. The trees manage to climb surprisingly high, a wooden skyscraper unto themselves, their roots searching the dirt beneath until it slams up against the concrete veins and arteries of the Metropolitan Transit Authority. Everything here unnatural seems to have grown together so well that it may have become one with Mother Nature herself.

Until, of course, you leave New York City and discover that this is not the norm, that – in fact – it’s a kind of beautiful, artistic and architectural blasphemy unmatched the world over.

img_20160917_104720302_hdrSuffice to say, it is still jarring to me that less than an hour away, the signs of the City are replaced with countless acres of trees and farmland, of mountains and lakes, of the River Valley where the remnants of the Appalachians come crashing into one side of the Hudson and pick up again on the other as though there’d not even been a creek in the way or perhaps as though Moses learnt to part rocks the same way he’d parted water. In the early days of autumn, just when the dog days of summer have tired out, and there’s a light breeze whispering to some of the trees that dying is a part of living, you can escape here and forget there ever was any concrete or steel or glass or plastic or car horns or subways. This is the land of towns with names like Fishkill and Beacon and Doodletown and Stony Point. It could just as easily be Tennessee.

It is not a place without its reminder that New York City is close by, of course. The train to Montreal whistles off the Hudson and churns on the tracks like a tornado rolling through, and the traffic and passers-by are a diverse lot of run-down hooptie cars, the people packed-in tight on their way to the next ‘job,’ juxtaposed with an occasional Tesla driven by a lone Frenchman who wears G Star Raw and is environmentally-conscious. And yet, in the same way the City can make you forget this place over time, this place – this dance with Mother Nature – manages to flood back over you singing, lulling that this is the real America. Cue Paul Simon on a search.

img_20160917_113923636And what is the real America but that hard, tried juxtaposition, that reminder that nothing is simple or can be easily broken into ‘this vs. that’ but is instead some mosaic of anything-and-everything we’ve ever done, imagined, or desired – the best and the worst of us – all thrown into the same mixing pot we once celebrated in this country.

Here is the Catskills, and here, maybe ten minutes west of the river and buried in its rolling hills there is an art gallery stranger than most. Imagine an outdoor museum, five hundred acres of it – something akin a postmodern Stonehenge with giant architectural feats planted like seeds that grew uncontrollably large in a river valley. It is the exact opposite of New York City: these structures that seemingly don’t belong actually make a very good case that they were born and grew up here and couldn’t reside anywhere else but a garden ‘that rivals Versailles.’ Against a backdrop of perfectly groomed green grass, knolls perfect for sledding, and oak and pine, these artistic gods – like a Picasso come to life – tower toward the pristine blue above to kiss the clouds. Their rusted metal – black and red – screams to the sky, but it’s somehow overwhelmingly peaceful. Once again, what didn’t belong found a home, and at home, you can scream loudly and find peace in it.

img_20160917_121225180The name of the place is fitting, too: Storm King, as though just around the mountain to the east there lurks Zeus ready to fire his bolts directly at the towering metal structures. I half-expected a postmodern ‘Night at the Museum’ were I to hang around until after dark.

Maybe that’s because seeing a giant, rusty metal structure next to a pond gives it life. But I think, too, its wild shapes, its shadows, the way the light might hit it at different times of day, leaves you to imagine that this one stationary structure could be a million things to a million people across a million eons. Somebody throws one gargantuan slab into the pasture, sculpted in steel, calls it art, and it tells a vastly different story at sunset from what it told at sunrise. Could it be said to be the same thing on a cloudy day when the sun doesn’t give it its sharp shadow that, arguably, is as much a part of the sculpture as the body the artist built? Or does the absence of its shadow breathe into it new life altogether?

img_20160917_121025271We small creatures who look upon such vastness are made somehow smaller still by this place. What of life is any different? Is not everything we look upon equally as complex? I am caught often, chained even, by my very limited perspective: that how I encounter you or the things you and I have made depends on just how the light hits us, just where we’re found in it, and just the time of day (or week or month or year) that your life and your creation may have graced mine. It is difficult, sometimes, to wait through the cloudy days to see again the shadow. It is that much more difficult, should they remain, to not let the clouds skew our view of what we know or once knew to be true. We are the storm kings and queens tasked to wade through the layers of our limited perspectives, to call out with humility precisely what those layers for us may be and to view it all as the birds of New York City might: looking curiously on and wondering what belonging is while knowing and claiming, this is our home.

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Making Sacred Space Where There is None

There’s this moment during a misty rain in New York City where if you look up to the skyline, the familiarity of the buildings you’ve grown accustomed to seeing in the sunshine is lost to the low-hanging clouds. If you squint, you can see one of the taller towers just peering through the fog but only a darker outline; the details are lost to the haze. Other times, the clouds move with haste through the buildings revealing the architectural wonder of sculpted steel and glass very briefly before they’re covered and blurred again in the wet cloth looming over everything. In a nutshell, that’s been the last week or two here. The rain just won’t let up.

Down below, dodging puddles and avoiding a collision of umbrellas with fellow pedestrians is sort of like playing some weird video game, and I guess what I find so perplexing about New York in the rain is just how different it suddenly becomes. Of course, it’s not different. You’re waltzing the same streets. The buildings, despite their game of hide and seek in the mist, have not uprooted themselves (at least one hopes they haven’t). It’s just that the rain has brought out the unexpected, accentuated the heights and colored-in the depths. When a pothole becomes a puddle, it takes on a whole new meaning – both for people and for cars.

And it’s within those parallel worlds – where things in and of themselves are the same yet somehow altered by outside forces – that I’ve found myself residing lately.

13063024_663701240696_2805720780472638559_oLast week’s trip to the United Nations for a meeting on religious persecution in the Middle East left me desperate to come up for air. If it wasn’t the Dominican nuns describing in hurried Spanish their concern for the people they serve in Syria, then it was the harrowing and heroic story (told by her parents) of aid worker Kayla Mueller whose kidnapping and death in Turkey would not, could not be forgotten. Or it was a fifteen year-old Yazidi girl named Samia who tearfully described in Kurdish what had happened to her at thirteen, to her friends at eight and nine, to thousands of women and children at the hands of terrorists. Systemic, institutionalized sexual assault and abuse. There’s no other words for it.

And having heard these words, having been present as these stories poured out into the captivated room, there was this sense that having the floor of the Economic and Social Chamber at the United Nations could empower the once powerless. To bring your story here was to bring your story before an international audience, one that would, or at least should, stand in solidarity with the weak and the oppressed. The building’s shear presence, after all, is a symbol of hope and security. To speak among these walls is to add to the hope, to shore up a lasting chance for peace, making the brief five or ten minutes each person is allotted the floor seem always too short and yet somehow simultaneously overwhelming…

…overwhelming because story after story bounces off the walls while thousands more innocents are slaughtered to the drum of perceived inaction. …overwhelming because I couldn’t shake the notion that this chamber was an echo chamber empty of the voices of dissent who so needed to hear what the nuns or the Muellers or Samia might have to say. I walked away drained, depressed. I was powerless to affect this situation, or felt I was even if the work I’m currently doing does make a small dent in someones’ lives somewhere.

To hear of the pain and suffering and to know of the callousness of our world – a world grown especially callous as evidenced by the fiasco that calls itself the 2016 Presidential Election – can leave you a little drained. I didn’t have to endure what they did, so why should hearing it be so hard on my privileged psyche? I get why we would rather post silly memes and indulge ourselves in infotainment than actually endure true stories of what’s happening to people in this world. Isolationism is some kind of avoidance disorder promising us a life free of the suffering of others, and thereby making it a lie. And I get it, because there are times where I, too, would like to curl up in a ball and pretend I’d never heard those stories, the ones that needed to be told.

12957677_660087003656_4288971310938836022_oAs I was leaving the United Nations, despairing, I walked around the building and found a small chapel. The stained glass beside it was peculiar if not frightening. It wasn’t a chapel for more than a dozen to comfortably enter. And it was really more of a meditation room of sorts. Reading a plaque on the door, I learned that Dag Hammarskjöld, a former and well-known General Secretary, had personally planned and supervised every detail of the room to serve as a quiet retreat, an offering of stillness, to people of all faiths. In the center of the room, he had placed a six-and-a-half ton, rectangular slab of iron ore and the following words are written nearby:

But the stone in the middle of the room has more to tell us. We may see it as an altar, empty not because there is no God, not because it is an altar to an unknown god, but because it is dedicated to the God whom man worships under many names and in many forms. The stone in the middle of the room reminds us also of the firm and permanent in a world of movement and change. The block of iron ore has the weight and solidity of the everlasting. It is a reminder of that cornerstone of endurance and faith on which all human endeavour must be based. The material of the stone leads our thoughts to the necessity for choice between destruction and construction, between war and peace. Of iron man has forged his swords, of iron he has also made his ploughshares. Of iron he has constructed tanks, but of iron he has likewise built homes for man. The block of iron ore is part of the wealth we have inherited on this earth of ours. How are we to use it? […] There is an ancient saying that the sense of a vessel is not in its shell but in the void. So it is with this room. It is for those who come here to fill the void with what they find in their center of stillness.

Of all the despairing, I understood why Dag Hammarskjöld felt such a room was necessary in a place like this. He, too, must have felt a sense of hopelessness. But rather than advocate for isolationism or surround himself and others with entertainment or other means of avoiding reality, he invested in stillness. He invested in holy space, in the “God whom [humankind] worships under many names and in many forms.”

As the clouds lift and warmer air returns this week to New York City, it’s important to me that I also invest myself in a spirit of Something Greater, that I take this concern and despair I know not what to do with before the Firm and Permanent, the Everlasting. And that I believe – and this part is important – that these painful stories are not told in vain, neither theirs nor mine. After all, we are and always will be some measure of who we believe we are. We believe our lives into being, or we disbelieve them into death. Not the material death we’ll all face one day, or that thousands upon thousands are facing daily with no say in the matter but a death rendered dead solely by our disbelief, by our abandonment of hope in ourselves and others. That’s a death we constantly find ourselves staring down and facing whether we want to or not, but it is not a death we should give in to ever! That’s when it becomes most important to hear again the call to life, even if that call is heard in a quiet room that’s really just a room unless whatever we’ve brought to the altar makes it something different. Because that something different is what matters. The sum of our lives is, as best I can tell, a matter of how well we hold close the tension of those opposites, the hope to belief and the despair to lack it. In that tension, we may allow the places where we find ourselves to be simply what they are, or we may make them into something more, something different, something better despite the circumstances surrounding them and by our shear presence and our living into the belief that we are called to more in this place that’s our holy home and a holy home to millions more, as well.

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Lead Us Not Into Penn Station

I’m not sure why, but lately, I’m hypersensitive to all the sounds that surround me. Maybe it’s because I’m used to a more rural environment that the sounds of the City are just that jarring to me. Maybe it’s because I’m living just next to the Garden State Parkway, which leaves in its wake a low, constant buzzing almost like that of a hummingbird. Whatever it is, lately I’ve heard it all.

I’ve heard the click-clack of the train that runs over the tracks in the morning, the screeching of its breaks, the muttering of passengers who’ve come to know one another, the familiar lines, “Tickets please,” or, “Remember, if you see something, say something,” the latter of which in reference to terrorism seems to be used to maintain a constant state of communal fear.

I’ve heard the taxis honking, the subway’s mechanical voice promising, “There is… a… local up-town train… one station… away.” I’ve heard quiet, though even quiet is filled with background noise: the harsh police sirens, a jackhammer, the wind weaving through and beating the buildings above – or is that the cars on the street? It sounds so similar to the buzzing of the Parkway. To this country-turned-city boy, so much of it is, well, kind of harsh. There’s no respite, it seems, in the sounds of the City.

In fact, the other morning, I heard screaming. A woman in the train car behind me was giving voice to some kind of anger, though I don’t know the cause. She ran through the aisle cussing at no one and then stood between two train cars. When the train pulled into Penn Station, she started screaming louder and began spitting on the glass door that was about to open – the one we were all standing behind. A man warned a woman in front of me, “Hey, watch out for this nutjob when the door opens.”

The screaming woman was obviously poor and in some kind of psychic pain. I thought immediately about the man’s use of the word “nutjob” to further disconnect her from us and how, in America, her mental illness and poverty were likely deeply in cahoots and were both things we used to see her as somehow “less” than us. For a moment – a brief moment – I considered attempting to console the woman or shaming the man for typecasting her in such a way that robbed her of her humanity. But I did nothing, said nothing. After all, she might spit on me. Or, I thought, I wasn’t trained or prepared to know how to deal with her situation. So I just let the words fill the air as more harsh sounds, and when the doors opened, the police entered the car and whisked the woman away. I have no idea what came of her. But I couldn’t escape the notion that her psychic pain was likely intensified by our collective apathy, or worse, our disdain for her situation which mirrored our fears of what could, perhaps, happen to us or to those we love. The police carted the ugliness away so we didn’t have to hear her suffering any longer. God bless them?

In one of his trips to encounter Syrian refugees, Pope Francis has remarked, “We are a society which has forgotten how to weep, how to experience compassion – ‘suffering with’ others: the globalization of indifference has taken from us the ability to weep!” I think he’s right. There’s no “suffering with” others; it’s us and them, and we want the sounds of their screams, their tears, their harsh contribution to the world to simply be removed, forgotten, compartmentalized from the public sphere. I find myself too often among those who want that.

But if I stopped there, having heard only the harsher sounds of the City, I don’t know what hope would be left. And I do know that I would not have heard all there was to hear:

On Thursday, I met with the director of three Christian-run hospitals that were set up to serve the people of Lebanon and, since the Syrian crisis, have come to serve (indeed, being overrun by) Syrian and Armenian refugees, as well. While much of what he shared was hard to hear, there was hope to it, too. He described the relationships between many Christians and Muslims in Syria and Lebanon as a “mosaic,” that in suffering together, their religious differences had not always gotten in the way of their willingness to help one another. He described churches which were distributing water to anyone, regardless of creed, in Aleppo since those ancient structures had been built on top of water wells. He described instances of Muslims protecting Christians from ISIS and vice versa. And he described the good work he was doing: offering psychosocial support for children experiencing PTSD, healthcare to refugees even when the UN refused to fund it and the clinic picked up the cost; the list went on and on, and in it all, what I heard was not the sound of dogma or hopelessness but of the dignity of all people and the hope of a brighter future for those currently entrenched in conflict.

In the afternoon, as I headed back home to New Jersey, there were certainly still those harsher sounds. But that’s not all I heard: I heard a violinist in the subway and a jazz band filling the air in Penn Station. I heard gratitude in all the chattering on the train and people ending their phone conversations with love. I heard conductors from the train wishing passengers a good day as they exited. I heard a car honk – but to get the attention of an old friend. And as I got closer to the humming of the Parkway, I heard a mourning dove cooing a friendly reminder that it’s finally spring.

What I’ve noticed for me is that there are some sounds that pull me back into the full symphony of life. It’s so easy, so tempting to get sucked into one section or hear only a solo and be convinced of the domination that sound holds over the whole corpus. But while the ambiance of brokenness is assuredly in harmony with the ambiance of love, we need not forget that love leads the melody. Sure it’s all happening at once, each screech and scream perhaps isolated to a painful solo that in that moment needs to be heard, but what the mourning dove or the violinist or the kind conductor adds to the world is not isolated but is heard by those with ears willing to listen. And so, too, we contribute our own euphony or cacophony to the orchestra of life. Sometimes, we give both. Sometimes, we give more of one than the other. And sometimes, for better or for worse, we find ourselves silent. What we add or take away from the symphony is often entirely up to us; other times it isn’t. But perhaps the best we can do is simply listen, to be as aware as we can of how it all comes together (or doesn’t); that before we decide to contribute, we know exactly what we’re going to offer and why and how it belongs in this space where there are so many other sounds seemingly detached but, in truth, are just a completely different instrument yet still in connection with one symphony. Needless to say, I guess I’m a little thankful that I’ve been so hypersensitive to all these sounds lately. They might just have something to teach me.

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Changing Trains, or a little life update of sorts

There’s this moment after leaving the Secaucus station where the train ducks into a tunnel, and the deeper into the dark it goes, the quicker the air pressure changes as if to suck the little sickle cell up the vein to the heart of Manhattan. From under the Hudson, all the passengers are adjusting their ears with those closed-mouth yawns where they move their jaws into their throats repeatedly to equalize the pressure. And all the while they are staring into the black windowpane as though just outside the train there’s more to see than the bleak concrete tunnel. In reality, the windows have become mirrors. And in the tunnel, the train feels smaller, a community traversing together even if momentarily. There’s the woman doing her make-up because she woke up a little too late. The twenty-something is wearing a pair of Beats and bouncing his head up and down as though the whole train has been sucked into his favorite Eminem song. A woman walks the aisles begging for loose change so she can get home. A balding, slim man with glasses reads the Times. Another man with slightly hipper glasses, the Daily News. Most today are buried in their phones. The Quiet Car, the “no-talking” section of the train, is surprisingly louder than the other cars, mostly because everyone is so quiet that every screech, every bump, and every “Oh my God is the train about to break apart!” cacophony has been deafeningly heightened. Everybody is waiting. That’s what this is more than anything else. The City is coming but it isn’t here yet, and we have all resigned to the hard fact that this just is what it is and isn’t about to be any faster. Commuters are surprisingly patient people. Most of the time.

Sometimes, I think, I get so good at waiting that I could just end up living there in the train. I used to think it was because I loved the unknown that I ended up in wait. But the unknown implies some kind of obsession over the destination, and maybe for better or worse I just really like the journey. Suffice to say, I’m no longer on Shelter Island. I guess I sort of unintentionally traded it for Manhattan. And so, the last month and a half has been train ride after train ride between the City and New Jersey. I worked briefly delivering food via phone app as I walked from Greenwich Village to Harlem and back again. The tips were terrible. The work was exhausting. But when you walk miles on end around New York City, it’s hard not to fall in love with all the steel and glass – the way it stands fixed and stately while the arteries and veins below and beneath are dangerously alive and well.

In all the walking I did, I found myself meandering about some pretty fascinating places. I attended a faith table in the halls of The Riverside Church where Dr. King and Paul Tillich and past Presidents once preached. So, too, I found myself laying down in the street of Federal Plaza to stage a “die-in” protesting deportations of undocumented immigrant children that ended in their death. I spat on the steps of Trump Tower. I slurped down my first oysters with an old friend from the archaeological dig in Israel. I grabbed drinks in a quaint little bar in the Upper West side making new friends as we discussed just how to tackle the problem of Islamophobia head on. There’s something about this city, its mecca of ideas and hope, that makes you feel as though this could be where it all begins, whatever ‘it‘ is exactly. Every part of me that believes in changing the world, however narcissistic it may be to believe I could get to have a hand in doing so when that task belongs to us all, nevertheless feels called to this island more than any other.

Of course, it hasn’t been without its eye-openers. I was in Penn Station recently doing what people in Penn Station do: waiting. And killing time there, a homeless man approached me and asked me to buy him food. I hesitated and wanted to ignore him but went into Duane Reade and bought him a sandwich anyway. Afterward, I was upset with myself for having done so. My mind wandered to concerns about the “system of dependence” and whether I’d contributed to that. I felt guilty for having helped someone. And then it sort of hit me: is our country so broken, am I so broken, that there’s inevitable cultural guilt now ingrained in helping someone in need? And it’s not really about whether I’d bought the bloke a sandwich so much as it’s about the authentic kindness I was so hesitant to offer. I’m not even sure there was anything kind in the way I bought him a sandwich. I just wanted to give him the food as quickly as possible so he could go his way and I could go mine – both of us returning to our different worlds of waiting. And looking back on it, I don’t even think my hesitance or lack of kindness was about concerns over “systems of dependence,” the way my brain had conjured up that lie to make me feel better so much as it was about this very strange human desire to not want to confront real pain and suffering – be it our own or someone else’s. Suffering is something we’re so afraid of, given we’re so determined not to be reminded of our own mortality or our own flesh, that we’ll add to the pain by ignoring it as long as we can lest we have to see and do anything about it. But it’s the very fact that we have absolutely no idea what to do about it, how to help, that we end up preferring to ignore than to act.

A few weeks before, uncertain of my future and reeling from all this unexpected change, my girlfriend Mattie and I went to see Avenue Q and then to a Moroccan restaurant afterward. When it was over, we headed back to Penn Station for what had been a fantastically-successful evening. But when we got to Penn, we discovered there were no trains out until 11:11, two hours off. We were both exhausted but figured, “Hey, the City is ours, so let’s just keep walking around.” But every corner we turned, the City was just covered in darkness. A man wailing for help as if the world was ending. An addict coming up and begging for money from Mattie as his hands shook. When we said we wouldn’t give him money, he started grabbing for Mattie. I stepped between them ready to do whatever was necessary. There was more: people who smelled so badly you couldn’t sit within twenty feet of them in the train station, drunk people vomiting, a woman touching herself, a man who could barely walk. It was as if our romantic, privileged night had had the veil pulled, and the suffering side of the world was out in full force. It was scary, all that suffering. And so we naturally turned to those questions about what the hell we could do. Admittedly there was something off-putting to our white privilege luxury of getting to ask these questions. I was job searching and technically “homeless” and still saw “them,” these sufferers, as a “them.” Again, was assuming we can do something not kind of narcissistic? Who the hell are we to think we could tackle any of the problems these people have?

So, too, Mattie and I are really different in how we approach solutions to problems. There’s that old metaphor you might know about the guy walking on a beach with his friend, and he sees thousands of starfishes. Every so often, he picks one up and throws it back to the ocean. His friend asks, “Why are you doing that? It’s not like it matters,” and the guy responds, “It mattered to that one.” Mattie is relational. She sees throwing one starfish back into the sea to be hugely important even if it’s small in the grand scheme of things. I’m, sadly, embarrassingly, not often interested in the starfish as individuals – not as much as I feel I should be. It’s not that I don’t want to help. It’s that I’d rather go find the scientists, find out why all the starfish washed up here to begin with, discover it’s, say, the cause of Big Oil or some form of pollution, and then I want to go and speak truth to power. I think there’s salvation in Mattie’s approach. We need to see each other as people and not as broken systems even if the systems desperately need change. But I struggle with that.

We talked more: we joked about creating an organization of lobbyists who lobby lobbyists but for good causes. Such organizations are out there, I guess, but I don’t really feel they’re collaborative or united enough. We pressed the metaphor more. Mattie works in a pet store and is well-aware of how broken the pet industry is; she’s literally raised caged birds from the egg. The system is broken, and though Mattie abhors the notion of caging these creatures meant to soar, she understands that as much as she’d like to free them, a broken system means more birds, and it’s unlikely they would survive in the big blue yonder. She can do what little she can, though, and that’s to make sure they have good homes, that their cages are clean and well-kept and enough for them for now. It isn’t really a solution to the systemic problem, but it’s necessary work. A homeless shelter, a food pantry, a welfare check, food stamps: they don’t fight the system. They may even inadvertently shore it up at times. But until someone really tackles the Powers that Be, really breaks them apart or exposes them for the injustice they bring to our world in a way that begins meaningful change from the top-down, Mattie is right in caring for the caged birds, in throwing back one starfish at a time, or at least drizzling a little water on it to keep it alive. I don’t mean in using these metaphors to in any way cheapen that I am talking about people, human lives in reality. But it’s a point worth acknowledging – that it takes a metaphor about animals (where the power dynamics between human-to-animal are obviously very different than they should be when we’re talking human-to-human) before we often empathize with our fellow humankind, that we recall that they are, indeed, an us. And it’s fear, ours and theirs alike, that’s rendered us a them to them and them a them to us.

Our fellow humankind. Our brothers and our sisters. That’s where I’d like to leave this little blog. Back in September, a Facebook argument with a former Wabash professor of mine went from a post on his wall to a private message to exchanging emails. I won’t rehash the argument entirely, but I will say that the late Dr. Webb and I were on two polar ends of the political spectrum, and yet, he was more than willing to engage with me not just civilly but kindly, something I deeply valued and haven’t always been able to do myself. We talked, mostly, about adoption and how adoption should be understood by Christians in particular. He, as an adoptive parent, and me, as an adoptee, and again, we mostly disagreed, but on one point in particular, Dr. Webb and I couldn’t agree more: For him, his adopted children were his children. To put the word “adopted” in front of that cheapened it. They are “my family,” he stated, “My kin. As much inside of me as my ‘biological’ children. That’s a miracle made possible by grace.” I felt the same way of the wonderful people I call Mom and Dad. Where we disagreed was in the nuance: Dr. Webb felt strongly that blood is what makes someone kin, and to adopt someone was to make them by grace your own flesh and blood. While I appreciated what he was trying to do with that, I felt too much of our country’s negative history, of racism and tribal mentalities, were tied to privileging blood over choice. To me, our own flesh and blood are not our kin unless we’ve chosen to make them so. In a sense, even if someone is “biologically” yours, only through adopting – that is, choosing to nurture them – do they become yours or you theirs. If adoption creates blood bonds, as Dr. Webb argued, the family remains too small for me. The beautiful act of choosing to love, to adopt, radically reshapes how large the family can and should be, and it removes those barriers that keeps us an us and them a them.

But those barriers aren’t broken unless we strive to know each other, too, to really know each other, and that means to know our suffering, to confront and help carry it for one another. A week before his untimely death, Dr. Webb posted a beautiful, albeit haunting, article on depression, and as I read it over, I couldn’t help but think that it’s those old fears and those same broken systems that have kept us disconnected from one another. Dr. Webb’s beautiful theological definition for depression is that it is “when your need for God is as great as your feeling of God’s absence.” He goes on to say, “If joy happens when your gifts fit the needs of the world around you, depression results when your emptiness echoes God’s silence.” This is true and God’s seeming silence, I believe, is felt most by the “silence” of those who surround us and by our own ways of silencing our true selves. But finding our voice and hearing others is hard work, and I can say I have, sadly, incredible understanding of when and why we fail to do so. I am thankful to have known this little giant of a teacher; his voice was heard. And will continue to be.

And so, the train keeps moving. We can put down our phones, our headphones, our newspapers, our staring into the bleak windowpanes and begin to talk again. We can begin to view those of us on the train car (and those off it) as an us and not a them. We can do the hard work of giving voice to ourselves and to others but only if we are willing not to give into our fears of the inevitable suffering that surrounds and too often destroys us. For now, I am gainfully employed in the City. I’ll be securing resources that will benefit on-the-ground workers from Syria to Gaza and from the horn of Africa to India. And every morning and every evening, I’ll hop on a train or a subway car, and as it sways back and forth in some rhythmic chant to the bloodstream of the City, I’ll try to do more than just waiting. Because the City isn’t what we’re waiting for. It’s not some distant place we’re trying to get to when the train pulls into the station. It’s right here, right now. It’s the train and the people on it. And it’s up to us whether they’ll be family or not.

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